Rhythm and expectation

Christopher Witulski

Part 4: Consistent Inconsistencies from Morocco Back to contents

References

Adorno, Theodor. 1990. “On Popular Music.” In On Record: Rock, Pop, and the Written Word, edited by S. Frith and A. Goodwin. New York: Pantheon Books.

Becker, Judith. 2004. Deep Listeners: Music, Emotion, and Trancing. Bloomington: Indiana University Press.

Benadon, Fernando. 2006. “Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm.” Ethnomusicology 50 (1): 73–98.

Danielsen, Anne. 2006. Presence and Pleasure: The Funk Grooves of James Brown and Parliament. Middletown, CT: Wesleyan University Press.

Farraj, Johnny, and Sami Abu Shumays. 2019. Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century Middle East. New York, NY: Oxford University Press.

Friedson, Steven M. 1996. Dancing Prophets: Musical Experience in Tumbuka Healing. Chicago: University of Chicago Press.

Gerischer, Christiane. 2006. “O Suingue Baiano: Rhythmic Feeling and Microrhythmic Phenomena in Brazilian Percussion.” Ethnomusicology 50 (1): 99–119.

Goldberg, Daniel. 2020. “What’s the Meter of Elenino Horo?: Rhythm and Timing in Drumming for a Bulgarian Folk Dance.” AAWM Journal 7 (2): 69–107.

Killick, Andrew. 2020. “Why Global Notation?” Global Notation: Visualizing the World’s Music. 2020. http://globalnotation.org.uk/why-global-notation/.

Magidow, Melanie. 2016. “Trending Classic: The Cultural Register of Moroccan Malhun Poetry.” The Journal of North African Studies 21 (2): 310–34.

Marian-Bălaşa, Marin. 2005. “Who Actually Needs Transcription? Notes on the Modern Rise of a Method and the Postmodern Fall of an Ideology.” The World of Music 47 (2): 5–29.

Marshall, Wayne. 2008. “Dem Bow, Dembow, Dembo: Translation and Transnation in Reggaeton.” Lied Und Populäre Kultur / Song and Popular Culture 53: 131–51.

———. 2020b. “Ragtime Country: Rhythmically Recovering Country’s Black Heritage.” Journal of Popular Music Studies 32 (2): 50–62. https://doi.org/10.1525/jpms.2020.32.2.50.

Moore, Robin. 2010. Music in the Hispanic Caribbean. Experiencing Music, Expressing Culture. New York and Oxford: Oxford University Press.

Ruckert, George. 2011. Music in North India: Experiencing Music, Expressing Culture. Global Music Series. New York, Oxford: Oxford University Press.

Witulski, Christopher. 2018. The Gnawa Lions: Authenticity and Opportunity in Moroccan Ritual Music. Public Cultures of the Middle East and North Africa. Bloomington, IN: Indiana University Press.

———. 2019. Focus: Music and Religion of Morocco. New York and London: Routledge.

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